I believe the best rule in telling a story is to follow events
chronologically. So let me mention that just about the time when Wylder
and I were filming the trunks of the old trees with wreaths of lingering
perfume, Miss Rachel Lake had an unexpected visitor.

There is, near the Hall, a very pretty glen, called Redman's Dell, very
steep, with a stream running at the bottom of it, but so thickly wooded
that in summer time you can only now and then catch a glimpse of the
water gliding beneath you. Deep in this picturesque ravine, buried among
the thick shadows of tall old trees, runs the narrow mill-road, which
lower down debouches on the end of the village street. There, in the
transparent green shadow, stand the two mills--the old one with A.D.
1679, and the Wylder arms, and the eternal 'resurgam' projecting over its
door; and higher up, on a sort of platform, the steep bank rising high
behind it, with its towering old wood overhanging and surrounding, upon a
site where one of king Arthur's knights, of an autumn evening, as he rode
solitary in quest of adventures, might have seen the peeping, gray gable
of an anchorite's chapel dimly through the gilded stems, and heard the
drowsy tinkle of his vesper-bell, stands an old and small two-storied
brick and timber house; and though the sun does not very often glimmer on
its windows, it yet possesses an air of sad, old-world comfort--a little
flower-garden lies in front with a paling round it. But not every kind of
flowers will grow there, under the lordly shadow of the elms and
chestnuts.

This sequestered tenement bears the name of Redman's Farm; and its
occupant was that Miss Lake whom I had met last night at Brandon Hall,
and whose pleasure it was to live here in independent isolation.