When the villain, being especially desirous to preserve and secrete
certain documents of vital importance to himself and to the piece, does,
most unaccountably, mislay them in the most conspicuous part of the stage,
and straightway they are found by the very last member of the _dram.
pers._ in whose hands he would like to see them.

When the villain and his accomplice, congratulating each other on the
successful issue of their crimes, and dividing the spoil thereof (which
they are always careful to do in a loud voice, and in a room full of
closets), are suddenly set upon and secured by the innocent yet suspected
and condemned parties, who are at that moment passing on their way to
execution.

When the guiltless prisoner at the bar, being asked for his defence, and
having no witnesses to call, produces a checked handkerchief, and
subpoenas his own conscience, which has such an effect on the villain,
that he swoons, and sees demons in the jury-box, and tells them that "he
is ready," and that "he comes," &c. &c.

When the deserter, being just about to be shot, is miraculously saved by
his mistress, who cuts the matter very fine indeed, by rushing in between
"present" and "fire;" and, having ejaculated "a reprieve!" with all her
might, falls down, overcome by fatigue--poor dear! as well she may--having
run twenty-three miles in the changing of a scene, and carried her baby on
her arm all the blessed way, in order to hold him up in the tableau at the
end.

N.B.--Whenever married people rescue one another as above, the
"_dénouement_" belongs to the class "unnatural;" which is used when the