author wishes to show the intensity of his invention--as, (_ex. gr._
again)

When an old man, having been wounded fatally by a young man, requests, as
a boon, to be permitted to examine the young man's neck, who, accordingly
unloosing his cravat, displays a hieroglyphic neatly engraved thereon,
which the old man interprets into his being a parricide, and then dies,
leaving the young man in a state of histrionic stupor.

When a will is found embellished with a Daguerréotype of four fingers and
a thumb, done in blood on the cover, and it turns out that the residuary
legatee is no better than he should be--but, on the contrary, a murderer
nicely ripe for killing.

The "supernatural" _dénouement_ is the last resource of a bewildered
dramatist, and introduces either an individual in green scales and wings
to match, who gives the audience to understand that he is a fiend, and
that he has private business to transact below with the villain; who,
accordingly, withdraws in his company, with many throes and groans, down
the trap.

Or a pale ghost in dingy lawn, apparently afflicted with a serious
haemorrhage in the bosom, who appears to a great many people, running, in
dreams; and at last joins the hands of the young couple, and puts in a
little plea of her own for a private burial.

And there are many other variations of the three great classes of
_dénouements_; such as the helter-skelter
nine-times-round-the-stage-combat, and the grand _mêlée_ in which
everybody kills everybody else, and leaves the piece to be carried on by