back to his position, constrainedly reverent in every movement.

When holding the sceptre in his hand, his body would be somewhat bent
forward, as if he were not equal to carrying it; wielding it now higher,
as in a salutation, now lower, as in the presentation of a gift; his
look would also be changed and appear awestruck; and his gait would seem
retarded, as if he were obeying some restraining hand behind.

When he presented the gifts of ceremony, he would assume a placid
expression of countenance. At the private interview he would be cordial
and affable.

The good man would use no purple or violet colors for the facings of his
dress. [22] Nor would he have red or orange color for his undress. [23]
For the hot season he wore a singlet, of either coarse or fine texture,
but would also feel bound to have an outer garment covering it. For his
black robe he had lamb's wool; for his white one, fawn's fur; and for
his yellow one, fox fur. His furred undress robe was longer, but the
right sleeve was shortened. He would needs have his sleeping-dress one
and a half times his own length. For ordinary home wear he used thick
substantial fox or badger furs. When he left off mourning, he would wear
all his girdle trinkets. His kirtle in front, when it was not needed for
full cover, he must needs have cut down. He would never wear his (black)
lamb's-wool, or a dark-colored cap, when he went on visits of condolence
to mourners. [24] On the first day of the new moon, he must have on his
Court dress and to Court. When observing his fasts, he made a point of
having bright, shiny garments, made of linen. He must also at such times
vary his food, and move his seat to another part of his dwelling-room.

As to his food, he never tired of rice so long as it was clean and pure,