And wunien mid Brutten And dwell with Britons
Mid muchelere wunne. With mickle joy.
Aefne than worden Even (with) these words
Ther com of se wenden There came from the sea
That wes an sceort bat lithen, A short little boat gliding,
Sceoven mid uthen, Shoved by the waves;
And twa wimmen ther inne, And two women therein,
Wunderliche idihte. Wondrously attired.
And heo nomen Arthur anan And they took Arthur anon
And an eovste hine vereden And bore him hurriedly,
And softe hine adun leiden, And softly laid him down,
And forth gunnen lithen. And forth gan glide.

METRICAL ROMANCES. Love, chivalry, and religion, all pervaded by the spirit
of romance,--these are the three great literary ideals which find
expression in the metrical romances. Read these romances now, with their
knights and fair ladies, their perilous adventures and tender love-making,
their minstrelsy and tournaments and gorgeous cavalcades,--as if humanity
were on parade, and life itself were one tumultuous holiday in the open
air,--and you have an epitome of the whole childish, credulous soul of the
Middle Ages. The Normans first brought this type of romance into England,
and so popular did it become, so thoroughly did it express the romantic
spirit of the time, that it speedily overshadowed all other forms of
literary expression.

Though the metrical romances varied much in form and subject-matter, the
general type remains the same,--a long rambling poem or series of poems
treating of love or knightly adventure or both. Its hero is a knight; its
characters are fair ladies in distress, warriors in armor, giants, dragons,
enchanters, and various enemies of Church and State; and its emphasis is