poisoning herself for her husband; and she cannot help taking his friend,
when she has lost him. Nor must it be forgotten, that the husband was the
first to break the tie. We respect him more than we do her, because he
was capable of greater self-denial; but if he himself preferred his
friend to his love, we can hardly blame her (custom apart) for following
the example.]


SEEING AND BELIEVING.

ARGUMENT

A lady has two suitors, a young and an old one, the latter of whom wins
her against her inclinations by practising the artifice of Hippomanes in
his race with Atalanta. Being very jealous, he locks her up in a tower;
and the youth, who continued to be her lover, makes a subterraneous
passage to it; and pretending to have married her sister, invites the old
man to his house, and introduces his own wife to him as the bride. The
husband, deceived, but still jealous, facilitates their departure out of
the country, and returns to his tower to find himself deserted.

This story, like that of the _Saracen Friends_, is told by a damsel to a
knight while riding in his company; with this difference, that she is the
heroine of it herself. She is a damsel of a nature still lighter than the
former; and the reader's sympathy with the trouble she brings on herself,
and the way she gets out of it, will be modified accordingly. On the
other hand, nobody can respect the foolish old man with his unwarrantable
marriage; and the moral of Boiardo's story is still useful for these
"enlightened times," though conveyed with an air of levity.