[Footnote 1: The hero and heroine of the famous romance of _Tristan de
Leonois_.]

[Footnote 2: "Mr. Rose observes, that Medusa may be designed by Boiardo
as the 'type of conscience;' and he is confirmed in his opinion by the
circumstance mentioned in this canto (12, lib. i. stan. 39) of Medusa not
being able to contemplate the reflection of her own hideous appearance,
though beautiful in the sight of others. I fully agree with
him."--PANIZZI, _ut sup_. Vol. iii p. 333.]

[Footnote 3: "Tisbina," says Panizzi, in a note on this passage, "very
wisely acted like Emilia (in Chaucer), who, when she saw she could not
marry Arcita, because he was killed, thought of marrying Palemone, rather
than 'be a mayden all hire lyf.' It is to be observed, that although she
regretted very much what had happened, and even fainted away, she did
not, however, stand on ceremonies, as the poet says in the next stanza,
but yielded immediately, and married Prasildo. This, at first, I thought
to be a somewhat inconsistent; but on consideration I found I was wrong.
Tisbina was wrong; because, having lost Iroldo, she did not know what
Prasildo would do; but so soon as the latter offered to fill up the
place, she nobly and magnanimously resigned herself to her fate."--_Ut
sup_. vol. iii. p. 336.

It might be thought inconsistent in Tisbina, notwithstanding Mr.
Panizzi's pleasantry, to be so willing to take another husband, after
having poisoned herself for the first; but she seems intended by the poet
to exhibit a character of impulse in contradistinction to permanency of
sentiment. She cannot help shewing pity for Prasildo; she cannot help