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The Public vs. M. Gustave Flaubert by Various
page 24 of 113 (21%)

You know how the priest makes the holy unctions upon the forehead, the
ears, upon the mouth, the feet, pronouncing at the same time the
liturgical phrases: _quidquam per pedes, per auras, per pectus_, etc.,
always following with the words _misericordia_ ... sin on one side and
pity on the other. These holy, sacred words should be reproduced
exactly; and if they cannot be reproduced exactly, at least nothing
voluptuous should be put with them.

"She turned her face slowly and seemed filled with joy on seeing
suddenly the violet stole, no doubt finding again, in the midst of a
temporary lull in her pain, the lost voluptuousness of her first
mystical transports, with the visions of eternal beatitude that were
beginning.

"The priest rose to take the crucifix; then she stretched forward her
neck as one who is athirst, and gluing her lips to the body of the
Man-God, she pressed upon it with all her expiring strength the fullest
kiss of love that she had ever given. Then he recited the _Misereatur_
and the _Indulgentiam_, dipped his right thumb in the oil and began to
give extreme unction. First, upon the eyes, that had so coveted all
worldly pomp; then upon the nostrils, that had been greedy of the warm
breeze and amorous odours; then upon the mouth that had uttered lies,
that had been curled with pride and cried out in lewdness; then upon the
hands, that had delighted in sensual touches; and finally upon the soles
of the feet, so swift of yore, when she was running to satisfy her
desires, and that would now walk no more."

Now, in the prayers for the dying which the priest recites, at the end
or at the close of each verse occur these words: "Christian soul, go out
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