The Gracchi Marius and Sulla - Epochs of Ancient History by A.H. Beesley
page 40 of 219 (18%)
page 40 of 219 (18%)
![]() | ![]() |
|
and all regular means of renovating the Republic seemed to be closed
to the despairing patriot, by stolid obstinacy sheltering itself under the garb of law and order. The second was no longer what it had been--the recognised refuge and defence of the poor. The rich, as Tiberius in effect argued, had found out how to use it also. If all men who set the example of forcible infringement of law are criminals, Gracchus was a criminal. But in the world's annals he sins in good company; and when men condemn him, they should condemn Washington also. Perhaps his failure has had most to do with his condemnation. Success justifies, failure condemns, most revolutions in most men's eyes. But if ever a revolution was excusable this was; for it was carried not by a small party for small aims, but by national acclamation, by the voices of Italians who flocked to Rome either to vote, or, if they had not votes themselves, to overawe those who had. How far Gracchus saw the inevitable effect of his acts is open to dispute. [Sidenote: Gracchus not a weak sentimentalist.] But probably he saw it as clearly as any man can see the future. Because he was generous and enthusiastic, it is assumed that he was sentimental and weak, and that his policy was guided by impulse rather than reason. There seems little to sustain such a judgment other than the desire of writers to emphasise a comparison between him and his brother. If his character had been what some say that it was, his speeches would hardly have been described by Cicero as acute and sensible, but not rhetorical enough. All his conduct was consistent. He strove hard and to the last to procure his end by peaceable means. Driven into a corner by the tactics of his opponents, he broke through the constitution, and once having done so, went the way on which his acts led him, without turning to the right hand or the left. There seems to be not a sign of his having drifted into revolution. Because a portrait is drawn in neutral tints, it does not follow that it is |
|