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The Gracchi Marius and Sulla - Epochs of Ancient History by A.H. Beesley
page 40 of 219 (18%)
and all regular means of renovating the Republic seemed to be closed
to the despairing patriot, by stolid obstinacy sheltering itself
under the garb of law and order. The second was no longer what it had
been--the recognised refuge and defence of the poor. The rich, as
Tiberius in effect argued, had found out how to use it also. If all
men who set the example of forcible infringement of law are criminals,
Gracchus was a criminal. But in the world's annals he sins in good
company; and when men condemn him, they should condemn Washington
also. Perhaps his failure has had most to do with his condemnation.
Success justifies, failure condemns, most revolutions in most men's
eyes. But if ever a revolution was excusable this was; for it
was carried not by a small party for small aims, but by national
acclamation, by the voices of Italians who flocked to Rome either to
vote, or, if they had not votes themselves, to overawe those who had.
How far Gracchus saw the inevitable effect of his acts is open to
dispute. [Sidenote: Gracchus not a weak sentimentalist.] But probably
he saw it as clearly as any man can see the future. Because he was
generous and enthusiastic, it is assumed that he was sentimental and
weak, and that his policy was guided by impulse rather than reason.
There seems little to sustain such a judgment other than the desire of
writers to emphasise a comparison between him and his brother. If
his character had been what some say that it was, his speeches would
hardly have been described by Cicero as acute and sensible, but not
rhetorical enough. All his conduct was consistent. He strove hard
and to the last to procure his end by peaceable means. Driven into
a corner by the tactics of his opponents, he broke through the
constitution, and once having done so, went the way on which his acts
led him, without turning to the right hand or the left. There seems
to be not a sign of his having drifted into revolution. Because a
portrait is drawn in neutral tints, it does not follow that it is
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