Summer on the Lakes, in 1843 by S. M. (Sarah Margaret) Fuller
page 4 of 236 (01%)
page 4 of 236 (01%)
|
At times a secondary music rises; the cataract seems to seize its own rhythm and sing it over again, so that the ear and soul are roused by a double vibration. This is some effect of the wind, causing echoes to the thundering anthem. It is very sublime, giving the effect of a spiritual repetition through all the spheres. When I first came I felt nothing but a quiet satisfaction. I found that drawings, the panorama, &c. had given me a clear notion of the position and proportions of all objects here; I knew where to look for everything, and everything looked as I thought it would. Long ago, I was looking from a hill-side with a friend at one of the finest sunsets that ever enriched this world. A little cow-boy, trudging along, wondered what we could be gazing at. After spying about some time, he found it could only be the sunset, and looking, too, a moment, he said approvingly "that sun looks well enough;" a speech worthy of Shakspeare's Cloten, or the infant Mercury, up to everything from the cradle, as you please to take it. Even such a familiarity, worthy of Jonathan, our national hero, in a prince's palace, or "stumping" as he boasts to have done, "up the Vatican stairs, into the Pope's presence, in my old boots," I felt here; it looks really _well enough_, I felt, and was inclined, as you suggested, to give my approbation as to the one object in the world that would not disappoint. But all great expression, which, on a superficial survey, seems so easy as well as so simple, furnishes, after a while, to the faithful observer its own standard by which to appreciate it. Daily these proportions |
|