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Summer on the Lakes, in 1843 by S. M. (Sarah Margaret) Fuller
page 4 of 236 (01%)

At times a secondary music rises; the cataract seems to seize its own
rhythm and sing it over again, so that the ear and soul are roused by a
double vibration. This is some effect of the wind, causing echoes to the
thundering anthem. It is very sublime, giving the effect of a spiritual
repetition through all the spheres.

When I first came I felt nothing but a quiet satisfaction. I found that
drawings, the panorama, &c. had given me a clear notion of the position
and proportions of all objects here; I knew where to look for
everything, and everything looked as I thought it would.

Long ago, I was looking from a hill-side with a friend at one of the
finest sunsets that ever enriched this world. A little cow-boy, trudging
along, wondered what we could be gazing at. After spying about some
time, he found it could only be the sunset, and looking, too, a moment,
he said approvingly "that sun looks well enough;" a speech worthy of
Shakspeare's Cloten, or the infant Mercury, up to everything from the
cradle, as you please to take it.

Even such a familiarity, worthy of Jonathan, our national hero, in a
prince's palace, or "stumping" as he boasts to have done, "up the
Vatican stairs, into the Pope's presence, in my old boots," I felt
here; it looks really _well enough_, I felt, and was inclined, as you
suggested, to give my approbation as to the one object in the world that
would not disappoint.

But all great expression, which, on a superficial survey, seems so easy
as well as so simple, furnishes, after a while, to the faithful observer
its own standard by which to appreciate it. Daily these proportions
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