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Summer on the Lakes, in 1843 by S. M. (Sarah Margaret) Fuller
page 5 of 236 (02%)
widened and towered more and more upon my sight, and I got, at last, a
proper foreground for these sublime distances. Before coming away, I
think I really saw the full wonder of the scene. After awhile it so drew
me into itself as to inspire an undefined dread, such as I never knew
before, such as may be felt when death is about to usher us into a new
existence. The perpetual trampling of the waters seized my senses. I
felt that no other sound, however near, could be heard, and would start
and look behind me for a foe. I realized the identity of that mood of
nature in which these waters were poured down with such absorbing force,
with that in which the Indian was shaped on the same soil. For
continually upon my mind came, unsought and unwelcome, images, such as
never haunted it before, of naked savages stealing behind me with
uplifted tomahawks; again and again this illusion recurred, and even
after I had thought it over, and tried to shake it off, I could not help
starting and looking behind me.

As picture, the Falls can only be seen from the British side. There they
are seen in their veils, and at sufficient distance to appreciate the
magical effects of these, and the light and shade. From the boat, as
you cross, the effects and contrasts are more melodramatic. On the road
back from the whirlpool, we saw them as a reduced picture with delight.
But what I liked best was to sit on Table Rock, close to the great fall.
There all power of observing details, all separate consciousness, was
quite lost.

Once, just as I had seated myself there, a man came to take his first
look. He walked close up to the fall, and, after looking at it a moment,
with an air as if thinking how he could best appropriate it to his own
use, he spat into it.

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