This alarmed the whole Italian band, who, apprehending that their
profession would suffer thereby, procured an order from the duke of
Shrewsbury, then lord chamberlain, the day before the performing of
this Opera, to take off the subscription for it, and to open the house
at the lowest prices, or not at all. This was designed to sink it, but
failed of its end. It was performed, formed, though under such
great discouragement; and was revived afterwards at the theatre
in Lincoln's-Inn-Fields. Mr. Addison, in the Spectator, Numb. 405,
speaking of the just applause given this opera, by Signior Nicolini
(who he says was the greatest performer in dramatic music, that
perhaps ever appeared upon a stage) has these words,

'The town is highly obliged to that excellent artist, for having shewn
us the Italian music in its perfection, as well as for that generous
approbation he gave to an Opera of our own country, in which Mr.
Galliard the composer endeavoured to do justice to the beauty of the
words, by following that noble example which has been set him by the
greatest foreign masters of that art.'

The Ode to the Creator of the World, occasioned by the fragments of
Orpheus, was printed in the year 1713, at the particular instance of
Mr. Addison; and is mentioned with applause in the Spectator. This,
and the Extasy, (published since the death of the author) are justly
esteemed two of the noblest Odes in our language. The seventh Stanza
of the last mentioned piece, is so sublimely excellent, that it would
be denying ourselves, and our poetical readers, a pleasure not to
transcribe it. The whole of this Ode is beautifully heightened, and
poetically conceived. It furnished a hint to a living Poet to write
what he entitles the Excursion, which tho' it has very great merit,