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Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
page 49 of 448 (10%)
She exhibited at the Paris Salon and in the Dudley Gallery, London, and,
student as she still was, her works were approved by art critics on both
sides of the Atlantic, and a brilliant future as an artist was foretold
for her. Her married life was short, and her death sincerely mourned by a
large circle of friends, as well as by the members of her profession who
appreciated her artistic genius and her enthusiasm for her work.



ALEXANDER, FRANCESCA. Born in Florence, Italy. Daughter of the
portrait painter, Francis Alexander. Her pen-and-ink drawing is her best
work. The exquisite conceits in her illustrations were charmingly
rendered by the delicacy of her work. She thus illustrated an unpublished
Italian legend, writing the text also.

Mr. Ruskin edited her "Story of Ida" and brought out "Roadside Songs of
Tuscany," collected, translated, and illustrated by this artist. A larger
collection of these songs, with illustrations, was published by Houghton,
Mifflin & Co., entitled "Tuscan Songs."



ALIPPI-FABRETTI, QUIRINA. Silver medal at Perugia in 1879; honorary
member of the Royal Academy in Urbino and of the Academy of Fine Arts in
Perugia. Born in Urbino, 1849. She was the daughter of the jurisconsult
Luigi Alippi. She studied drawing and painting in Rome with Ortis and De
Sanctis. Following her father to Perugia in 1874, whither he had been
called to the Court of Appeals, she continued her study under Moretti.
She married Ferdinando Fabretti in 1877. She made admirable copies of
some of the best pictures in Perugia, notably Perugino's "Presepio" for a
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