Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
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page 49 of 448 (10%)
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She exhibited at the Paris Salon and in the Dudley Gallery, London, and,
student as she still was, her works were approved by art critics on both sides of the Atlantic, and a brilliant future as an artist was foretold for her. Her married life was short, and her death sincerely mourned by a large circle of friends, as well as by the members of her profession who appreciated her artistic genius and her enthusiasm for her work. ALEXANDER, FRANCESCA. Born in Florence, Italy. Daughter of the portrait painter, Francis Alexander. Her pen-and-ink drawing is her best work. The exquisite conceits in her illustrations were charmingly rendered by the delicacy of her work. She thus illustrated an unpublished Italian legend, writing the text also. Mr. Ruskin edited her "Story of Ida" and brought out "Roadside Songs of Tuscany," collected, translated, and illustrated by this artist. A larger collection of these songs, with illustrations, was published by Houghton, Mifflin & Co., entitled "Tuscan Songs." ALIPPI-FABRETTI, QUIRINA. Silver medal at Perugia in 1879; honorary member of the Royal Academy in Urbino and of the Academy of Fine Arts in Perugia. Born in Urbino, 1849. She was the daughter of the jurisconsult Luigi Alippi. She studied drawing and painting in Rome with Ortis and De Sanctis. Following her father to Perugia in 1874, whither he had been called to the Court of Appeals, she continued her study under Moretti. She married Ferdinando Fabretti in 1877. She made admirable copies of some of the best pictures in Perugia, notably Perugino's "Presepio" for a |
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