Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
page 50 of 448 (11%)
page 50 of 448 (11%)
|
church in Mount Lebanon, Syria. She was also commissioned to paint an
altar-piece, representing St. Stephen, for the same church. Her interiors are admirable. She exhibited an "Interior of the Great Hall of the Exchange of Perugia" in 1884, at Turin. She painted two interior views of the church of San Giovanni del Cambio in Perugia, and an interior of the vestibule of the Confraternity of St. Francis. Her other works, besides portraits, include an "Odalisk," an "Old Woman Fortune-teller," and a "St. Catherine." ALLINGHAM, HELEN. Honorable mention at Paris Exhibition, 1900; silver medal from Brussels Exhibition, 1901; bronze medal from the Columbian Exhibition, Chicago. Member of the Royal Society of Painters in Water Colors, London. Born near Burton-on-Trent, 1848. Began the study of art at fourteen, in Birmingham School of Art, where she remained about five years, when she entered the schools of the Royal Academy, where instruction is given by the Royal Academicians in turn. In 1868 she went to Italy. Her first exhibition at the Royal Academy occurred in 1874, under the name Helen Patterson; her pictures were "Wait for Me" and "The Milkmaid." Since that time Mrs. Allingham has constantly exhibited at the Academy and many other exhibitions. Her pictures are of genre subjects, chiefly from English rural life and landscapes. She has also been successful as an illustrator for the _Graphic_, the _Cornhill Magazine_, and other publications. Her water-color portraits of Carlyle in his later years are well known. She introduced his cat "Tib" into a portrait taken in his Chelsea garden. |
|