resigned office, and been created Earl of Orford in the February
preceding.]

From this time forth literary composition, with the acquisition of
antiques and curiosities for the decoration of "Strawberry" occupied the
greater part of his life. He erected a printing press, publishing not
only most of his own writings, but some also of other authors, such as
poems of Gray, with whom he kept up uninterrupted intercourse. But, in
fact, his own works were sufficiently numerous to keep his printers
fully employed. He was among the most voluminous writers of a voluminous
age. In the course of the next twenty years he published seven volumes
of memoirs of the last ten years of the reign of George II. and the
first ten of George III.; five volumes of a work entitled "Royal and
Noble Authors;" several more of "Anecdotes of Painting;" "The Mysterious
Mother," a tragedy; "The Castle of Otranto," a romance; and a small
volume to which he gave the name of "Historic Doubts on Richard III." Of
all these not one is devoid of merit. He more than once explains that
the "Memoirs" have no claim to the more respectable title of "History";
and he apologises for introducing anecdotes which might be thought
inconsistent with what Macaulay brands as "a vile phrase," the dignity
of history. He excuses this, which he looked on as a new feature in
historical composition, on the ground that, if trifles, "they are
trifles relating to considerable people; such as all curious people have
ever loved to read." "Such trifles," he says, "are valued, if relating
to any reign one hundred and fifty years ago; and, if his book should
live so long, these too might become acceptable." Readers of the present
day will not think such apology was needed. The value of his "trifles"
has been proved in a much shorter time; for there is no subsequent
historian of that period who has not been indebted to him for many
particulars of which no other trustworthy record existed. Walpole had in