Punch, or the London Charivari, Volume 156, May 21, 1919 by Various
page 22 of 64 (34%)
page 22 of 64 (34%)
![]() | ![]() |
|
could not be for me. Essences and powders wholesale are not in my
line, nor is my acquaintance so extensive among the Fair as these quantities would imply. A moment later all my anxieties dispersed and tragedy turned to comedy when I realised that the bill was for the hairdresser with the same name as my own, who lives next door but one and gets so much of my correspondence. I therefore put the bill on my desk, intending to take it into the shop when I went out; and forgot it. The Russian Corps de Ballet at the Alhambra is an assemblage of charming and gifted people who are at last giving their admirers full measure. Now that they have a vast theatre of their own and perform three ballets every night the old frustrated feeling that used to tantalise us at the Opera and the Coliseum has vanished. But I have still a grievance, and that is that the programme is so rarely the programme that I myself would have arranged. In other words the three ballets that form it are seldom the Big Three that are nearest my heart. To be explicit, I want _Petroushka_, and instead I find myself not knowing where to look while _Scheherazade_ unfolds its appalling freedoms; I want _Les Sylphides_, and instead am given _Les Papillons_, which is very lovely but not of an equal loveliness; and I want _Carnaval_, and instead am offered the perplexities of _The Fire Bird_. It happened, however, that one night recently the perfect programme was given--_Carnaval, Les Sylphides_ and _Petroushka_; but there was not a seat in the house, and I therefore had to stand in great discomfort, so that half the joy evaporated. |
|