recapitulation of a few of his transactions with the statesmen and
soldiers of his time gives a fair indication of his activities, and
supplies the sources from which he drew the experiences and characters
which illustrate "The Prince."

His first mission was in 1499 to Catherina Sforza, "my lady of Forli" of
"The Prince," from whose conduct and fate he drew the moral that it
is far better to earn the confidence of the people than to rely on
fortresses. This is a very noticeable principle in Machiavelli, and is
urged by him in many ways as a matter of vital importance to princes.

In 1500 he was sent to France to obtain terms from Louis XII for
continuing the war against Pisa: this king it was who, in his conduct
of affairs in Italy, committed the five capital errors in statecraft
summarized in "The Prince," and was consequently driven out. He, also,
it was who made the dissolution of his marriage a condition of support
to Pope Alexander VI; which leads Machiavelli to refer those who urge
that such promises should be kept to what he has written concerning the
faith of princes.

Machiavelli's public life was largely occupied with events arising out
of the ambitions of Pope Alexander VI and his son, Cesare Borgia, the
Duke Valentino, and these characters fill a large space of "The Prince."
Machiavelli never hesitates to cite the actions of the duke for the
benefit of usurpers who wish to keep the states they have seized; he
can, indeed, find no precepts to offer so good as the pattern of Cesare
Borgia's conduct, insomuch that Cesare is acclaimed by some critics as
the "hero" of "The Prince." Yet in "The Prince" the duke is in point of
fact cited as a type of the man who rises on the fortune of others, and
falls with them; who takes every course that might be expected from a