their own lineage, at any rate, and the insignificant present moment
was put to shame. That magnificent ghostly head on the canvas, surely,
never beheld all the trivialities of a Sunday afternoon, and it did
not seem to matter what she and this young man said to each other, for
they were only small people.

"This is a copy of the first edition of the poems," she continued,
without considering the fact that Mr. Denham was still occupied with
the manuscript, "which contains several poems that have not been
reprinted, as well as corrections." She paused for a minute, and then
went on, as if these spaces had all been calculated.

"That lady in blue is my great-grandmother, by Millington. Here is my
uncle's walking-stick--he was Sir Richard Warburton, you know, and
rode with Havelock to the Relief of Lucknow. And then, let me see--oh,
that's the original Alardyce, 1697, the founder of the family
fortunes, with his wife. Some one gave us this bowl the other day
because it has their crest and initials. We think it must have been
given them to celebrate their silver wedding-day."

Here she stopped for a moment, wondering why it was that Mr. Denham
said nothing. Her feeling that he was antagonistic to her, which had
lapsed while she thought of her family possessions, returned so keenly
that she stopped in the middle of her catalog and looked at him. Her
mother, wishing to connect him reputably with the great dead, had
compared him with Mr. Ruskin; and the comparison was in Katharine's
mind, and led her to be more critical of the young man than was fair,
for a young man paying a call in a tail-coat is in a different element
altogether from a head seized at its climax of expressiveness, gazing
immutably from behind a sheet of glass, which was all that remained to