skirt in blue-and-white paint lustrous behind glass, and then a
mahogany writing-table, with its orderly equipment, and, finally, a
picture above the table, to which special illumination was accorded.
When Katharine had touched these last lights, she stood back, as much
as to say, "There!" Denham found himself looked down upon by the eyes
of the great poet, Richard Alardyce, and suffered a little shock which
would have led him, had he been wearing a hat, to remove it. The eyes
looked at him out of the mellow pinks and yellows of the paint with
divine friendliness, which embraced him, and passed on to contemplate
the entire world. The paint had so faded that very little but the
beautiful large eyes were left, dark in the surrounding dimness.

Katharine waited as though for him to receive a full impression, and
then she said:

"This is his writing-table. He used this pen," and she lifted a quill
pen and laid it down again. The writing-table was splashed with old
ink, and the pen disheveled in service. There lay the gigantic gold-
rimmed spectacles, ready to his hand, and beneath the table was a pair
of large, worn slippers, one of which Katharine picked up, remarking:

"I think my grandfather must have been at least twice as large as any
one is nowadays. This," she went on, as if she knew what she had to
say by heart, "is the original manuscript of the 'Ode to Winter.' The
early poems are far less corrected than the later. Would you like to
look at it?"

While Mr. Denham examined the manuscript, she glanced up at her
grandfather, and, for the thousandth time, fell into a pleasant dreamy
state in which she seemed to be the companion of those giant men, of