Cavour by Countess Evelyn Martinengo-Cesaresco
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page 16 of 196 (08%)
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English artist who was engaged in making drawings of the Alpine
passes. This gave him not only the opportunity of speaking and writing English, but also of expressing his private thoughts without reserve, which was impossible with his fellow-countrymen. Throughout his life he found the same mental relaxation in his intercourse with Englishmen; he felt safe with them. Cavour was not meant to be a soldier; his tastes did not agree with the routine of military life, and his clear judgment told him that the army is not the natural or correct sphere for a politician--which he knew himself to be even then, in a country where politics may be said not to have existed. Acting on these reflections, he resigned his commission, and his father, perhaps to keep him quiet, bought him a small independent property near the ancestral estate at Leri. The Marquis warned his son that the income would not allow him to keep a valet or a horse; his mother opposed the purchase, as she thought that the young landlord would be tempted to spend more than he had, but to this his father replied that if a man was not a man at twenty-five he would be one never. The Marquis Michele Benso had recently assumed the post of _Vicario_ of Turin, which his family thought below his dignity, but he apparently took it to oblige the king, with whom the _Vicario_, who was a sort of Prefect of Police, was in daily contact. As a result, the estate of Leri, which had been neglected before, was now going actually to ruin. Cavour, with the approval of his brother, proposed to undertake the whole management of the property, an offer gladly accepted, as the Marquis was well convinced that his younger son had rather too many than too few abilities. Cavour saw in agriculture the only field at present open to him. When he left the army he scarcely knew a cabbage from a turnip, for he had not been brought up in the country, but in a few years he familiarised himself |
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