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Creative Impulse in Industry - A Proposition for Educators by Helen Marot
page 15 of 106 (14%)
the object, but because his employer wants it done.

In Anglo-Saxon and Teutonic countries, where people have fallen most
completely under the influence of machine production and business
enterprise, and where they have lost by the way their conception
of their creative potentiality, work is universally conceived as
something which people endure for the sake of being "paid off." Being
paid off, it seems abundantly clear, is the only reason a sane man can
have for working. After he is paid off the assumption is his pleasure
will begin. A popular idea of play is the absence of work, the
consumption of wealth, being entertained. Being entertained indeed
is as near as most adult men in these countries come to play. Their
Sundays and holidays are depressing occasions, shadowed by a forlorn
expectancy of something which never comes off.

The capacity of the French people for enjoying their holidays is much
the same as their capacity for enjoying their work. This, no doubt, is
a matter of native habituation. But however they came by it, it has
had its part in determining the industrial conditions of France. The
love of the people for making things has resisted in a remarkable way
the domination of machine industry and modern factory organization.
The French work shop, averaging six persons, is as characteristic
of France as the huge factory organization with the most modern
mechanical equipment is characteristic of American industry. As the
workers in these shops participate more intimately in the fabrication
of goods they come more nearly to a real participation in productive
enterprise. This close contact with the actual processes of production
gives the workers a sense of power. A sense of their relation to the
processes and their ability to control them engenders courage. Indeed
it is the absence of fear, rather than the absence of work, that
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