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Creative Impulse in Industry - A Proposition for Educators by Helen Marot
page 22 of 106 (20%)
as this observation may be, it is not so obvious how such a social
transformation as this implies, may be effected.

Every advance in wealth creation which has become an institutional
part of an economic system has been impelled and sustained by the
material interests of people who at the time held the strategic
position in the community. The world has progressed, or retrogressed,
as the most powerful interests at any time adjusted the institutions
and customs governing wealth production to their own advantage. As
the controlling interests in our present scheme are the business
interests, it is the business man, not the workman, who directs
industry and determines its policy as well as the general policy of
the nation in which it operates. It is to the advantage of private
business run for private gain, to control creative effort for the
purpose of appropriating the product, and to inhibit free creative
expression as an uncontrollable factor in the enterprise of
exploitation.

The appalling and wanton sacrifice of life which are incident to the
evolution of machinery and the division of labor seem to demand at
times their elimination. In weariness we are urged to retrace our
steps and go back to craftsmanship and the Guilds. But it is idle to
talk about going back or eliminating institutionalized features of
society. We cannot go back, we have not the ability to discard this or
that part of our environment except as we make it over. The result of
this making over might be vitalized by methods which had belonged
to earlier periods, but neither the methods nor the periods, we can
safely say, will live again. Neither our own nor future generations
will escape the influence of modern technology. It will play its part.
It may be a part which will lead away from some of the destructive
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