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Salammbo by Gustave Flaubert
page 16 of 386 (04%)
was by chance that he was at the feast, his father having domiciled him
with the Barca family, according to the custom by which kings used to
send their children into the households of the great in order to pave
the way for alliances; but Narr' Havas had lodged there fox six months
without having hitherto seen Salammbo, and now, seated on his heels,
with his head brushing the handles of his javelins, he was watching her
with dilated nostrils, like a leopard crouching among the bamboos.

On the other side of the tables was a Libyan of colossal stature, and
with short black curly hair. He had retained only his military jacket,
the brass plates of which were tearing the purple of the couch. A
necklace of silver moons was tangled in his hairy breast. His face was
stained with splashes of blood; he was leaning on his left elbow with a
smile on his large, open mouth.

Salammbo had abandoned the sacred rhythm. With a woman's subtlety she
was simultaneously employing all the dialects of the Barbarians in order
to appease their anger. To the Greeks she spoke Greek; then she turned
to the Ligurians, the Campanians, the Negroes, and listening to her each
one found again in her voice the sweetness of his native land. She now,
carried away by the memories of Carthage, sang of the ancient battles
against Rome; they applauded. She kindled at the gleaming of the naked
swords, and cried aloud with outstretched arms. Her lyre fell, she was
silent; and, pressing both hands upon her heart, she remained for some
minutes with closed eyelids enjoying the agitation of all these men.

Matho, the Libyan, leaned over towards her. Involuntarily she approached
him, and impelled by grateful pride, poured him a long stream of wine
into a golden cup in order to conciliate the army.

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