local color quite unlike that of the Sierra foothills. Humboldt is also
on the grand scale and its physical characteristics and its type of
manhood were fresh and inspiring.

His familiarity with the marsh and the sloughs is shown in "The Man on
the Beach" and the "Dedlow Marsh Stories," and this affords fine
opportunity for judging of the part played by knowledge and by
imagination in his literary work. His descriptions are photographic in
their accuracy. The flight of a flock of sandpipers, the flowing tides,
the white line of the bar at the mouth of the bay--all are exact. But
the locations and relations irrelevant to the story are wholly ignored.
The characters and happenings are purely imaginary. He is the artist
using his experiences and his fancy as his colors, and the minimum of
experience and small observation suffice. His perception of character is
marvelous. He pictures the colonel, his daughters, the spruce
lieutenant, and the Irish deserter with such familiarity that the reader
would think that he had spent most of his life in a garrison, and his
ability to portray vividly life in the mines, where his actual
experience was so very slight, is far better understood.

Many of the occurrences of those far-away days have faded from my mind,
but one of them, of considerable significance to two lives, is quite
clear. Uniontown had been the county-seat, and there the _Humboldt
Times_ was published; but Eureka, across the bay, had outgrown her older
sister and captured both the county-seat and the only paper in the
county. In frantic effort to sustain her failing prestige Uniontown
projected a rival paper and the _Northern Californian_ was spoken into
being. My father was a half owner, and I coveted the humble position of
printer's devil. One journeyman could set the type, and on Wednesday and
Saturday, respectively, run off on a hand-press the outside and the