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The Making of Arguments by J. H. Gardiner
page 53 of 331 (16%)
as the location of a new street car line, or the laying out of a park,
it will make a vast difference to you whether you are writing for people
who have land on the proposed line or park, or for the general body of
citizens.

Differences in thy prepossessions of your audience and in their
knowledge of the subject have, therefore, a direct and practical effect
on the planning of your argument. Suppose you are arguing in favor of
raising the standard of admission to your college; if your argument is
addressed to the faculty you will give little space to explaining what
those requirements now are; but if you are sending out an address to the
alumni you must give some space to telling them clearly and without
technicalities what present conditions are and explaining the changes
that you propose. Theoretically an argument should change in form and
proportions for every audience which you address. The theory may be
pushed too far; but in the practice of real life it will be found nearly
true. With different audiences you will unconsciously make different
selection of material, and you will vary your emphasis, the place of
your refutation, and the distribution of your space.

Notebook. Enter the audience for whom your argument might be
written, and note what you think would be their knowledge of the
subject, and their prepossessions toward it.

Illustration. The citizens of Wytown. They are convinced that
there should be a change in the city government; but they are not yet
familiar with the Des Moines plan.


EXERCISES
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