The Making of Arguments by J. H. Gardiner
page 53 of 331 (16%)
page 53 of 331 (16%)
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as the location of a new street car line, or the laying out of a park,
it will make a vast difference to you whether you are writing for people who have land on the proposed line or park, or for the general body of citizens. Differences in thy prepossessions of your audience and in their knowledge of the subject have, therefore, a direct and practical effect on the planning of your argument. Suppose you are arguing in favor of raising the standard of admission to your college; if your argument is addressed to the faculty you will give little space to explaining what those requirements now are; but if you are sending out an address to the alumni you must give some space to telling them clearly and without technicalities what present conditions are and explaining the changes that you propose. Theoretically an argument should change in form and proportions for every audience which you address. The theory may be pushed too far; but in the practice of real life it will be found nearly true. With different audiences you will unconsciously make different selection of material, and you will vary your emphasis, the place of your refutation, and the distribution of your space. Notebook. Enter the audience for whom your argument might be written, and note what you think would be their knowledge of the subject, and their prepossessions toward it. Illustration. The citizens of Wytown. They are convinced that there should be a change in the city government; but they are not yet familiar with the Des Moines plan. EXERCISES |
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