Ste. Marie leaned upon the parapet of the bridge, arms folded before him
and eyes afar. He began to sing, à demi-voix, a little phrase out of
_Louise_--an invocation to Paris--and the Englishman stirred uneasily
beside him. It seemed to Hartley that to stand on a bridge, in a top-hat
and evening clothes, and sing operatic airs while people passed back and
forth behind you, was one of the things that are not done. He tried to
imagine himself singing in the middle of Westminster Bridge at half-past
eight of an evening, and he felt quite hot all over at the thought. It
was not done at all, he said to himself. He looked a little nervously at
the people who were passing, and it seemed to him that they stared at
him and at the unconscious Ste. Marie, though in truth they did nothing
of the sort. He turned back and touched his friend on the arm, saying:

"I think we'd best be getting along, you know." But Ste. Marie was very
far away, and did not hear. So then he fell to watching the man's dark
and handsome face, and to thinking how little the years at Eton and the
year or two at Oxford had set any real stamp upon him. He would never be
anything but Latin, in spite of his Irish mother and his public school.
Hartley thought what a pity that was. As Englishmen go, he was not
illiberal, but, no more than he could have altered the color of his
eyes, could he have believed that anything foreign would not be improved
by becoming English. That was born in him, as it is born in most
Englishmen, and it was a perfectly simple and honest belief. He felt a
deeper affection for this handsome and volatile young man whom all women
loved, and who bade fair to spend his life at their successive feet--for
he certainly had never shown the slightest desire to take up any sterner
employment--he felt a deeper affection for Ste. Marie than for any other
man he knew, but he had always wished that Ste. Marie were an
Englishman, and he had always felt a slight sense of shame over his