in words. He seemed to say something like "Sale diable de métier!"
which, considering the fact that he had just been overpaid, appears
unwarrantably pessimistic in tone. Thereafter he spat again, picked up
his reins and jerked them, saying:

"Hè, Jean Baptiste! Uip, uip!" The unemotional white horse turned up the
boulevard, trotting evenly at its steady pace, head down, the little
bell at its neck jingling pleasantly as it went. It occurs to me that
the white horse was probably unique. I doubt that there was another
horse in Paris rejoicing in that extraordinary name.

But the two young men walked slowly on across the Pont de la Concorde.
They went in silence, for Hartley was thinking still of Miss Helen
Benham, and Ste. Marie was thinking of Heaven knows what. His gloom was
unaccountable unless he had really meant what he said about feeling
calamity in the air. It was very unlike him to have nothing to say.
Midway of the bridge he stopped and turned to look out over the river,
and the other man halted beside him. The dusk was thickening almost
perceptibly, but it was yet far from dark. The swift river ran leaden
beneath them, and the river boats, mouches and hirondelles, darted
silently under the arches of the bridge, making their last trips for the
day. Away to the west, where their faces were turned, the sky was still
faintly washed with color, lemon and dusky orange and pale thin green. A
single long strip of cirrus cloud was touched with pink, a lifeless old
rose, such as is popular among decorators for the silk hangings of a
woman's boudoir. And black against this pallid wash of colors the tour
Eiffel stood high and slender and rather ghostly. By day it is an ugly
thing, a preposterous iron finger upthrust by man's vanity against God's
serene sky; but the haze of evening drapes it in a merciful
semi-obscurity and it is beautiful.