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The Hawaiian Romance Of Laieikawai by Anonymous
page 16 of 611 (02%)
before Kaméhaméha); to have come from the southeast; to have introduced
a sacerdotal system whose priesthood, symbols, and temple structure
persisted up to the time of the abandoning of the old faith in 1819.
Compare Alexander's History, ch. III; Malo, pp. 25, 323; Lesson, II,
160-169.]

[Footnote 5: _Kahiki_, in Hawaiian chants, is the term used to designate
a "foreign land" in general and does not refer especially to the island
of Tahiti in the Society Group.]

[Footnote 6: Lesson, II, 152.]

[Footnote 7: Ibid., 170.]

[Footnote 8: Ibid., 178.]




2. POLYNESIAN COSMOGONY

In theme the body of Polynesian folk tale is not unlike that of other
primitive and story-loving people. It includes primitive
philosophy--stories of cosmogony and of heroes who shaped the earth;
primitive annals--migration stories, tales of culture heroes, of
conquest and overrule. There is primitive romances--tales of
competition, of vengeance, and of love; primitive wit--of drolls and
tricksters; and primitive fear in tales of spirits and the power of
ghosts. These divisions are not individual to Polynesia; they belong to
universal delight; but the form each takes is shaped and determined by
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