The Hawaiian Romance Of Laieikawai by Anonymous
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page 16 of 611 (02%)
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before Kaméhaméha); to have come from the southeast; to have introduced
a sacerdotal system whose priesthood, symbols, and temple structure persisted up to the time of the abandoning of the old faith in 1819. Compare Alexander's History, ch. III; Malo, pp. 25, 323; Lesson, II, 160-169.] [Footnote 5: _Kahiki_, in Hawaiian chants, is the term used to designate a "foreign land" in general and does not refer especially to the island of Tahiti in the Society Group.] [Footnote 6: Lesson, II, 152.] [Footnote 7: Ibid., 170.] [Footnote 8: Ibid., 178.] 2. POLYNESIAN COSMOGONY In theme the body of Polynesian folk tale is not unlike that of other primitive and story-loving people. It includes primitive philosophy--stories of cosmogony and of heroes who shaped the earth; primitive annals--migration stories, tales of culture heroes, of conquest and overrule. There is primitive romances--tales of competition, of vengeance, and of love; primitive wit--of drolls and tricksters; and primitive fear in tales of spirits and the power of ghosts. These divisions are not individual to Polynesia; they belong to universal delight; but the form each takes is shaped and determined by |
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