but a peculiar quality which runs through all the matter written by
the author. Just as one may like a man for something which is always
coming out of him, which one cannot define, and which is of the very
essence of the man.

In judging the style of an author, you must employ the same canons
as you use in judging men. If you do this you will not be tempted
to attach importance to trifles that are negligible. There can be no
lasting friendship without respect. If an author's style is such
that you cannot _respect_ it, then you may be sure that, despite
any present pleasure which you may obtain from that author, there is
something wrong with his matter, and that the pleasure will soon cloy.
You must examine your sentiments towards an author. If when you have
read an author you are pleased, without being conscious of aught but
his mellifluousness, just conceive what your feelings would be after
spending a month's holiday with a merely mellifluous man. If an
author's style has pleased you, but done nothing except make you
giggle, then reflect upon the ultimate tediousness of the man who can
do nothing but jest. On the other hand, if you are impressed by what
an author has said to you, but are aware of verbal clumsinesses in his
work, you need worry about his "bad style" exactly as much and exactly
as little as you would worry about the manners of a kindhearted,
keen-brained friend who was dangerous to carpets with a tea-cup in his
hand. The friend's antics in a drawing-room are somewhat regrettable,
but you would not say of him that his manners were bad. Again, if
an author's style dazzles you instantly and blinds you to everything
except its brilliant self, ask your soul, before you begin to admire
his matter, what would be your final opinion of a man who at the first
meeting fired his personality into you like a broadside. Reflect
that, as a rule, the people whom you have come to esteem communicated