Punch, or the London Charivari, Volume 101, October 24, 1891 by Various
page 39 of 45 (86%)
page 39 of 45 (86%)
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THEOSOPHIC TOOLS.
(_BY AN OPPONENT OF OCCULTISM._) The Theosophic Boom, its wordy strife And futile fuss are fading out in "fizzle." They talk a deal about their "_planes_ of life," 'Tis plain to me the fitter term were "chisel." * * * * * POPULAR SONGS RE-SUNG: OR, MISS BOWDLER AT THE MUSIC HALLS. "A nod is as good as a wink to a blind horse," says the old saw, and a wink is no doubt as good as a smile to a purblind ass. But the wink is indeed one of the worst uses to which the human eye can he put. It signifies usually the vulgarisation of humour, and the degradation of mirth. It is the favourite eye-language of the cynical cad, the coarse jester, the crapulous clown, and--above all--the chuckling cheat. [Illustration] It must be admitted, that the Muse of the Music Hall--in her Momus mood--has a strong leaning towards the glorification of cynical 'cuteness of the _Autolycus_ sort. It is a weakness which she seems to share with party scribes and Colonial politicians. If she had any classic leanings, which she has not, her favourite deity would be Mercury, the "winking Cyllenian Argophont" of the Homeric Hymn, the |
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