De Carmine Pastorali (1684) by René Rapin
page 46 of 69 (66%)
page 46 of 69 (66%)
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Of the end of Pastorals tis not so easy to give an account: For as to the end of Poetry in General: The Enemies of Poets run out into a large common place, and loudly tell us that Poetry is frivolous and unprofitable. Excellent men! that love _profit_ perchance, but have no regard for _Honesty_ and _Goodness_; who do not know that all excellent _Arts_ sprang from _Poetry_ at first. Which what is honest, base, or just, or good, Better than _Crantor_, or _Chrysippus_ show'd. For tis _Poetry_ that like a chast unspotted Virgin, shews men the way, and the means to live happily, who afterward are deprav'd by the immodest precepts of vitiated and impudent _Philosophy_. For every body knows, that the _Epick_ sets before us the highest example of the Bravest man; the _Tragedian_ regulates the Affections of the Mind; the _Lyrick_ reforms Manners, or sings the Praises of Gods, and Heroes; so that there's no part of _Poetry_ but hath it's proper end, and profits. But grant all this true, _Pastoral_ can make no such pretence: if you sing a _Hero_, you excite mens minds to imitate his Actions, and notable Exploits; but how can _Bucolicks_ apply these or the like advantages to its self? _He that reads {47} Heroick Poems, learns what is the vertue of a Hero, and wishes to be like him; but he that reads Pastorals, neither learns how to feed sheep, nor wishes himself a shepherd:_ And a great deal more to this purpose you may see in _Modicius_, as _Pontanus_ cites him in his Notes on _Virgil's_ _Eclogues_. |
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