time of Buddha and perhaps beyond it. For the rest of pre-Buddhistic
literature it seems to us incredible that it is necessary to require,
either from the point of view of linguistic or of social and religious
development, the enormous period of two thousand years. There are no
other grounds on which to base a reckoning except those of Jacobi and
his Hindu rival, who build on Vedic data results that hardly support
the superstructure they have erected. Jacobi's starting-point is from
a mock-serious hymn, which appears to be late and does not establish,
to whatever date it be assigned, the point of departure from which
proceeds his whole argument, as Whitney has shown very well. One is
driven back to the needs of a literature in respect of time sufficient
for it to mature. What changes take place in language, even with a
written literature, in the space of a few centuries, may be seen in
Persian, Greek, Latin, and German. No two thousand years are required
to bridge the linguistic extremes of the Vedic and classical Sanskrit
language.[6] But in content it will be seen that the flower of the
later literature is budding already in the Vedic age. We are unable to
admit that either in language or social development, or in literary or
religious growth, more than a few centuries are necessary to account
for the whole development of Hindu literature (meaning thereby
compositions, whether written or not) up to the time of Buddha.
Moreover, if one compare the period at which arise the earliest forms
of literature among other Aryan peoples, it will seem very strange
that, whereas in the case of the Romans, Greeks, and Persians, one
thousand years B.C. is the extreme limit of such literary activity as
has produced durable works, the Hindus two or three thousand years
B.C. were creating poetry so finished, so refined, and, from a
metaphysical point of view, so advanced as is that of the Rig Veda.
If, as is generally assumed, the (prospective) Hindus and Persians
were last to leave the common Aryan habitat, and came together to the