of which the Claes pride had carved a pair of shuttles. The recess of
the doorway, which was built of freestone, was topped by a pointed
arch bearing a little shrine surmounted by a cross, in which was a
statuette of Sainte-Genevieve plying her distaff. Though time had left
its mark upon the delicate workmanship of portal and shrine, the
extreme care taken of it by the servants of the house allowed the
passers-by to note all its details.

The casing of the door, formed by fluted pilasters, was dark gray in
color, and so highly polished that it shone as if varnished. On either
side of the doorway, on the ground-floor, were two windows, which
resembled all the other windows of the house. The casing of white
stone ended below the sill in a richly carved shell, and rose above
the window in an arch, supported at its apex by the head-piece of a
cross, which divided the glass sashes in four unequal parts; for the
transversal bar, placed at the height of that in a Latin cross, made
the lower sashes of the window nearly double the height of the upper,
the latter rounding at the sides into the arch. The coping of the arch
was ornamented with three rows of brick, placed one above the other,
the bricks alternately projecting or retreating to the depth of an
inch, giving the effect of a Greek moulding. The glass panes, which
were small and diamond-shaped, were set in very slender leading,
painted red. The walls of the house, of brick jointed with white
mortar, were braced at regular distances, and at the angles of the
house, by stone courses.

The first floor was pierced by five windows, the second by three,
while the attic had only one large circular opening in five divisions,
surrounded by a freestone moulding and placed in the centre of the
triangular pediment defined by the gable-roof, like the rose-window of