a cathedral. At the peak was a vane in the shape of a weaver's shuttle
threaded with flax. Both sides of the large triangular pediment which
formed the wall of the gable were dentelled squarely into something
like steps, as low down as the string-course of the upper floor, where
the rain from the roof fell to right and left of the house through the
jaws of a fantastic gargoyle. A freestone foundation projected like a
step at the base of the house; and on either side of the entrance,
between the two windows, was a trap-door, clamped by heavy iron bands,
through which the cellars were entered,--a last vestige of ancient
usages.

From the time the house was built, this facade had been carefully
cleaned twice a year. If a little mortar fell from between the bricks,
the crack was instantly filled up. The sashes, the sills, the copings,
were dusted oftener than the most precious sculptures in the Louvre.
The front of the house bore no signs of decay; notwithstanding the
deepened color which age had given to the bricks, it was as well
preserved as a choice old picture, or some rare book cherished by an
amateur, which would be ever new were it not for the blistering of our
climate and the effect of gases, whose pernicious breath threatens our
own health.

The cloudy skies and humid atmosphere of Flanders, and the shadows
produced by the narrowness of the street, sometimes diminished the
brilliancy which the old house derived from its cleanliness; moreover,
the very care bestowed upon it made it rather sad and chilling to the
eye. A poet might have wished some leafage about the shrine, a little
moss in the crevices of the freestone, a break in the even courses of
the brick; he would have longed for a swallow to build her nest in the
red coping that roofed the arches of the windows. The precise and