Punch, or the London Charivari, Volume 102, June 25, 1892 by Various
page 14 of 38 (36%)
page 14 of 38 (36%)
|
cheap, don't you, CHOC'LIT? Everythink for nothen' is what _you_ want,
ain't it? _I_ know yer! [_The Warrior stalks on impassively, ignoring these gibes; whether he is reflecting on the beauty and heartlessness of the Pale-face Maiden, or resolving to save up for the monkey if it takes him a lifetime, or thinking of something else totally different, or of nothing whatever, is a dark secret which he keeps to himself._ * * * * * THE PLAYFUL SALLY. [Illustration: "How Abbey could I be with either!"] O SARAH B.! O Mr. ABBEY! What un-ABBEY thought induced you to select so dreary a play as _Pauline Blanchard_ wherewith to weary the British Public? And what a finish! _Pauline_, all for the sake of her disappointed lover, kills her husband with a sickle!--a sickle-ly sight--and then reaps her reward. M. PERON, the Maire, was effective. Ancient _Angelina_, Mme. GILBERTE FLEURY, "fetched" everybody, and in her turn was fetched by M. FLEURY from a loft where stage-business had taken her in the previous Act, in order to receive her share of the plaudits. We hear that SARAH has accepted a One-Act piece called _Salammbô_, by OSCAR WILDE. Naturally we all see SARAH in the first part of _Sal_. Perhaps the "_ambo_" means SARAH and OSCAR. Being an Eastern subject, SARAH sees the chance in it of a Sara-scenic success. On Saturday last, with her wonderful _La Tosca_ in the afternoon, and her _Dame aux Camélias_ (the "O'Camélias" sounds like an Irish title) |
|