at night, SARAH regularly "knocked them" in the Shaftesbury Avenue.
No one interested in dramatic art should miss seeing SARAH, at all
events, in _La Dame aux Camélias_.

* * * * *

PARTICULAR AND GENERAL RELATIONSHIP.--Mr. GEORGE CURZON, as the
_Saturday Review_ remarks in its notice of _Curzon's Persia_, "is
not the first of his family who has written a good book of Eastern
travel." The author, then, is not a first, but a second, or third
CURZON, and this particular work of authorship creates a new kinship,
as his travels are, now, related to the public.

* * * * *

OPERATIC NOTES.

[Illustration: Isolde, seated on a sham rock, awaiting the coming of
her lover. Alas! all ends unharpily!]

_Wednesday._--The Irish Question, heard for the first time
operatically, put by The O'WAGNER in his music-story of "_Tristan und
Isolde_." The story is decidedly a _triste 'un and is old_ no doubt
of it. Frau SUCHER first rate as the Irish Princess _Isolde_. Herr
ALVARY plays _Her Tristan_; good, but not great. All vary well. As
_Kurwenal_, Herr KNAPP, in spite of his name, kept everyone awake,
and did his very best; in fact, "went Knapp."

Fräulein RALPH was charming as _Braugäne_, and her manner of
inducing the Princess of the Most Distressful Country to take to the