Punch, or the London Charivari, Volume 152, April 11, 1917 by Various
page 9 of 55 (16%)
page 9 of 55 (16%)
|
* * * * *
BLANCHE'S LETTERS. SOCIETY "WAR-WORKERS." DEAREST DAPHNE,--The scarcity of paper isn't altogether an unmixed misfortune, as far as one's correspondence is concerned. Letters that don't matter, letters from the insignificant and the boresome, simply aren't answered. For small spur-of-the-moment notes to one's _intimes_ who're not too far off, there's quite a little feeling for using _slates_. One writes what one's to say on one's slate (which may be just as dilly a little affair as you please, with plain or chased silver frame, enamelled monogram or coronet, and pencil hanging by a little silver chain), and sends it by a servant. When the note's been read, it's wiped off, the answer written, and the slate brought back. _Isn't_ that fragrant? I may claim to have set this fashion. Of course a very _voyant_ slate is not just-so. The Bullyon-Boundermere woman set up one with a deep, heavily-chased gold frame, and "B.-B." at the top set with big diamonds. _C'est bien elle!_ She'd used it only half-a-dozen times when it was snatched from her footwoman, who was taking it to somebody's house, and hasn't been heard of since! _People Who Matter_ gave a double-page to illustrating "War-Time Correspondence Slates of Social Leaders." _My_ slate's there, and Stella Clackmannan's, and Beryl's and several more. À propos, have you seen the series of "Well-known War-Workers" they've been having lately in _People Who Matter_? They're really quite worth while. There's dear Lala Middleshire in one of those charming "Olga" trench coats (khaki face-cloth lined self-coloured satin and with big, lovely, gilt-and-enamelled |
|