Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 24 of 472 (05%)
page 24 of 472 (05%)
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of handwriting and writing materials. Even then it
must not be supposed that the history of ink is authentic and continuous from the moment handwriting was applied to the recording of events; for the earliest records are lost to us in almost every instance. We are therefore dependent upon later writers, who made their records in the inks of their own time, and who could refer to those preceding them only by the aid of legends and traditions. There is no independent data indicating any variation whatever in the methods of the admixture of black or colored inks, which differentiates them from those used in the earliest times of the ancient Egyptians, Hebrews or Chinese. On the contrary if we exclude "Indian" and one of the red inks, for a period of fourteen hundred years we find their number diminishing until the first centuries of the Christian era. Exaggerated tradition has described inks as well as other things and imagination is not lacking. Some of these legends, in later years put in writing, compel us to depend on translations of obscure and obsolete tongues, while the majority of them are mingled with the errors and superstitious of the time in which they were transcribed. The value of such accounts depends upon a variety of circumstances and we must proceed with the utmost caution and discrimination in examining and weighing the authenticity of these sources of information. |
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