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Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 25 of 472 (05%)

If we reason that the art of handwriting did not
become known to all the ancient nations at once, but
was gradually imparted by one to another, it follows
that records supposed to be contemporaneous, were
made in some countries at a much earlier period than
in others. It must also be observed that the Asiatic
nations and the Egyptians practiced the art of writing
many centuries before it was introduced into Europe.
Hence we are able to estimate with some degree of
certainty that ink-written accounts of some Asiatic
nations were made while Europe was in this respect
buried in utter darkness.

An interesting story which bears on this statement
is told by Kennett, in his "Antiquities of Rome,"
London, 1743, as to the discovery of ancient MSS.,
five hundred and twenty years before the Christian
era, of what even then must have been remarkable:

"A strange old woman came once to Tarquinius
Superbus with nine books, which, she said, were
the oracles of the Sybils, and proffered to sell them.
But the king making some scruple about the price,
she went away and burnt three of them; and returning
with the six, asked the same sum as before.
Tarquin only laughed at the humour; upon which
the old woman left him once more; and after she
had burnt three others, came again with them that
were left, but still kept to her old terms. The king
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