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Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 58 of 472 (12%)

There were "writers in gold" and "writers in
silver" who travelled from the East into Greece and
who bad found their way before the third century
into the very heart of Rome. Their business was to
embellish the manuscript writings of those times. It
was considered en regale for authors to "illuminate"
their MSS. and those who failed to do so suffered in
popularity.

These authors frequently allude to their use of red,
black and secret inks.

Martial in his first epistle points out the bookseller's
shop opposite the Julian Forum where his works may
be obtained "smoothed with pumice stone and decorated
with purple." Seneca mentions books ornamented
"cum imaginabus." Varro is related by the
younger Pliny to have illustrated his works by pictures
of more than seven hundred illustrious persons.
Martial dwells on the edition of Virgil, with his
portrait as a frontispiece.

The earliest recorded instance of the richer adornments
of golden lettering on purple or rose-stained
vellum is given by Julius Capitolinus in his life of the
Emperor Maximinus the younger. He therein mentions
that the mother of the emperor presented to him
on his return to his tutor (early in the third century),
a copy of the works of Homer, written in gold upon
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