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Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 59 of 472 (12%)
purple vellum.

The fugitive character, as before stated, of a great
many of the colored inks, and indeed most of the
black ones which were undoubtedly employed, is the
principal reason why so few specimens of them remain
to us. Those which have proved themselves so lasting
in character as to be still extant, bear evidence
of extreme care in the preparation of both the inks
and the materials on which the writings appear. Perhaps
one of the finest illustrations of this practice is
to be found in a book of the Four Gospels of Italian
origin, discovered in the tenth century (a work of the
fourth century) and deposited in the Harlein Library.
This book is written in "Indian" ink and possesses
magnificently embellished and illuminated letters at
the beginning of each Gospel, which are on vellum
stained in different colors.

St. Jerome calls attention to this class of books in
a well-known passage of his preface to the Book of
Job, also written in the fourth century, where he explains
as translated:

"Let those who will have old books written in
gold and silver on purple parchment, or, as they
are commonly called, in uncial-letters,--rather ponderous
loads than books,--so long as they permit
me and mine to have copies, and rather correct than
beautiful books."
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