Punch, or the London Charivari, Volume 1, October 23, 1841 by Various
page 2 of 58 (03%)
page 2 of 58 (03%)
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That portion of time which was facetiously called by Messrs. Tims and Swindle "the leisure" of Mr. Horatio Fitzharding Fitzfunk, being some eight hours out of the twenty-four, was spent in poring over the glorious pages of the immortal bard; and in the desperate enthusiasm of his heated genius would he, Mr. Horatio Fitzharding Fitzfunk, suddenly burst forth in some of the most exciting passages, and with Stentorian lungs "render night hideous" to the startled inhabitant of the one-pair-back, adjoining the receptacle of his own truckle-bed and mortal frame. Luck, whether good or evil, begat Mr. Horatio Fitzharding Fitzfunk an introduction to some other talented young gentlemen, who had so far progressed in histrionic acquirements, that from spouting themselves, they had taken to spouting their watches, and other stray articles of small value, to enable them to pay the charges of a private theatre, where, as often as they could raise the needful, they astonished and delighted their wondering friends. Among this worshipful society was Mr. Horatio Fitzharding Fitzfunk adopted and enrolled as a trusty and well-beloved member; and in the above-named private theatre, in suit of solemn black, slightly relieved by an enormous white handkerchief, and a well-chalked countenance, did Mr. Horatio Fitzharding Fitzfunk, at or about the hour of half past eight--being precisely sixty minutes behind the period announced, in consequence of the non-arrival of the one fiddle and ditto flute comprising, or rather that ought to have comprised, the orchestra--made his début, and a particularly nervous bow to the good folks there assembled, "as and for" the character "of Hamlet, the Danish Prince." To describe the "exclamations of delight," the "tornadoes of applause," the earthquakes of rapture, or the "breathless breathing" of the entranced |
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