Punch, or the London Charivari, Volume 1, November 27, 1841 by Various
page 24 of 60 (40%)
page 24 of 60 (40%)
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A good plan is to call on the "object of your affections" in the forenoon--propose a walk--mamma consents, in the hope you will declare your intentions. Wander through the green fields--talk of "love in a cottage,"--"requited attachment"--and "rural felicity." If a child happens to pass, of course intimate your fondness for the dear little creatures--this will be a splendid hit. If the coast is clear, down you must fall on your knee, right or left (there is no rule as to this), and swear never to rise until she agrees to take you "for better and for worse." If, however, the grass is wet, and you have white ducks on, or if your unmentionables are tightly made--of course you must pursue another plan--say, vow you will blow your brains out, or swallow arsenic, or drown yourself, if she won't say "yes." If you are at a ball, and your charmer is there, captivating all around her, get her into a corner, and "pop the question." Some delay until after supper, but "delays are dangerous"--Round-hand copy. A young lady's "tears," when accepting you, mean "I am too happy to speak." The dumb show of staring into each other's faces, squeezing fingers, and sighing, originated, we have reason to believe, with the ancient Romans. It is much practised now-a-days--as saving breath, and being more lover-like than talking. We could give many more valuable hints, but Punch has something better to do than to teach ninnies the art of amorifying. * * * * * |
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