A History of English Prose Fiction by Bayard Tuckerman
page 102 of 338 (30%)
page 102 of 338 (30%)
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choice, when one is compelled, either by silence to die with grief, or
by speaking to live with shame." In "The Monastery," a novel which the author himself considered a failure, Sir Walter Scott represented a Euphuist. But the language of Sir Piercie Shafton is entirely devoid of the characteristics of Euphuism, and gives a very false impression concerning it. (See introduction to "The Monastery.") Compare passages quoted in the text with one in chap. xiv ("Monastery") beginning: "Ah, that I had with me my Anatomy of Wit." Also _passim_.] [Footnote 63: The lines quoted from the "Winter's Tale" are in act iv, sc. 3. For Greene's words see "Dorastus and Fawnia," in Hazlitt's "Shakespeare's Library," part I, vol. 4, p. 62. The resemblance between the two passages is pointed out by Dunlop ("History of Fiction," p. 404). Collier in his introduction to "Dorastus and Fawnia" denied this obligation of Shakespeare to Greene. But he was evidently led into this error by liking the following passage, instead of the one quoted in the text, for the foundation of Shakespeare's lines: "The gods above disdaine not to love women beneathe. Phoebus liked Sibilla: Jupiter Io; and why not I, then Fawnia?"] [Footnote 64: Another of Greene's tales, possessing much the same merits and the same defects as those already mentioned is "Never too Late."] [Footnote 65: Shakespeare's Celia.] [Footnote 66: Act I, sc. 3.] [Footnote 67: "Miscellanea," part ii, essay iv.] |
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