A History of English Romanticism in the Eighteenth Century by Henry A. Beers
page 53 of 468 (11%)
page 53 of 468 (11%)
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Philosophy remained though Nature fled,. . .
Exulting Folly hailed the joyful day, And Pantomime and Song confirmed her sway."[33] Everything was personified; Britannia, Justice, Liberty, Science, Melancholy, Night. Even vaccination for the smallpox was invoked as a goddess, "Inoculation, heavenly maid, descend!"[34] But circumstances or periphrasis was the capital means by which the Augustan poet avoided precision and attained nobility of style. It enabled him to speak of a woman as a "nymph," or a "fair"; of sheep as "the fleecy care"; of fishes as "the scaly tribe"; and of a picket fence as a "spiculated paling." Lowell says of Pope's followers: "As the master had made it an axiom to avoid what was mean or low, so the disciples endeavored to escape from what was common. This they contrived by the ready expedient of the periphrasis. They called everything something else. A boot with them was "'The shining leather that encased the limb.' "Coffee became "'The fragrant juice of Mocha's berry brown.'"[35] "For the direct appeal to Nature, and the naming of specific objects," says Mr. Gosse,[36] "they substituted generalities and second-hand allusions. They no longer mentioned the gillyflower and the daffodil, but permitted themselves a general reference to Flora's vernal wreath. |
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