the orchestral accompaniment to a violin solo number; Colonne of Paris,
and many others. I had an amusing experience with Colonne once. He
brought his orchestra to Russia while I was with Auer, and was giving a
concert at Pavlovsk, a summer resort near Petrograd. Colonne had a
perfect horror of 'infant prodigies,' and Auer had arranged for me to
play with his orchestra without telling him my age--I was eleven at the
time. When Colonne saw me, violin in hand, ready to step on the stage,
he drew himself up and said with emphasis: 'I play with a prodigy!
Never!' Nothing could move him, and I had to play to a piano
accompaniment. After he had heard me play, though, he came over to me
and said: 'The best apology I can make for what I said is to ask you to
do me the honor of playing with the _Orchestre Colonne_ in Paris.' He
was as good as his word. Four months later I went to Paris and played
the Mendelssohn concerto for him with great success."




V


SAMUEL GARDNER

TECHNIC AND MUSICIANSHIP


Samuel Gardner, though born in Jelisavetgrad, Cherson province, in
Southern Russia, in 1891, is to all intents and purposes an American,
since his family, fleeing the tyranny of an Imperialistic regime of
"pogroms" and "Black Hundreds," brought him to this country when a mere