The first instance to which I call attention is the use of the substantive
"one" in a manner which, though not very uncommon, is used by no writer so
frequently as Fletcher. Take the following:--

"_So_ great ones."--_Woman's Prize_, II. 2.
"And yet his songs are sad ones."--_Two Noble Kinsmen_, II. 4.

and the title of the play, _The False One_.

Compare with these from _Henry VIII._:--

"This night he make a supper, and a great one."--Act I. 3.
"Shrewd ones."--"Lame ones."--"_so_ great ones."--_Ibid._
"I had my trial,
And must needs say a noble one."--Act II. 1.
"A wife--a true one."--Act III. 1.
"They are a sweet society of fair ones."--Act I. 4.

Fletcher habitually uses "thousand" without the indefinite article, as in
the following instances:

"Carried before 'em thousand desolations."--_False One_, II. 9.
"Offers herself in thousand safeties to you."--_Rollo_, II. 1.
"This sword shall cut thee into thousand pieces."--_Knight of Malta_, IV.
2.

In _Henry VIII._ we have in the prologue:

"Of thousand friends."