Evenings. At his elbow is a porthole, brightly curtained with a
scrap of clean chintz, and he can hear the swash of the seas along
his ship's tall side. And now he is reading. I can see him reading.
I know just how his mind feels! Oh, the Perfect Reader! There is not
an allusion that he misses; in all those lovely printed words he
sees the subtle secrets that a lesser soul would miss. He (bless his
heart!) is not thinking how he himself would have written it; his
clear, keen, outreaching mind is intent only to be one in spirit
with the invisible and long-dead author. I tell you, if there is
anywhere a return of the vanished, it is then, at such moments, over
the tilted book held by the Perfect Reader.

And how quaint it is that he should diminish himself so modestly.
"Of course" (he says), "I'm only a Reader, and I don't know anything
about writing----" Why, you adorable creature, _You_ are our court
of final appeal, you are the one we come to, humbly, to know
whether, anywhere in our miserable efforts to set out our unruly
hearts in parallel lines, we have done an honest thing. What do we
care for what (most of) the critics say? They (we know only too
well) are not criticising _us_, but, unconsciously, themselves. They
skew their own dreams into their comment, and blame us for not
writing what they once wanted to. You we can trust, for you have
looked at life largely and without pettifogging qualms. The parallel
lines of our eager pages meet at Infinity--that is, in the infinite
understanding and judgment of the Perfect Reader.

The enjoyment of literature is a personal communion; it cannot be
outwardly instilled. The utmost the critic can do is read the
marriage service over the reader and the book. The union is
consummated, if at all, in secret. But now and then there comes up