expressed in English. And while English is more dependent than Greek upon
the apposition of clauses and sentences, yet there is a difficulty in using
this form of construction owing to the want of case endings. For the same
reason there cannot be an equal variety in the order of words or an equal
nicety of emphasis in English as in Greek.

(2) The formation of the sentence and of the paragraph greatly differs in
Greek and English. The lines by which they are divided are generally much
more marked in modern languages than in ancient. Both sentences and
paragraphs are more precise and definite--they do not run into one another.
They are also more regularly developed from within. The sentence marks
another step in an argument or a narrative or a statement; in reading a
paragraph we silently turn over the page and arrive at some new view or
aspect of the subject. Whereas in Plato we are not always certain where a
sentence begins and ends; and paragraphs are few and far between. The
language is distributed in a different way, and less articulated than in
English. For it was long before the true use of the period was attained by
the classical writers both in poetry or prose; it was (Greek). The balance
of sentences and the introduction of paragraphs at suitable intervals must
not be neglected if the harmony of the English language is to be preserved.
And still a caution has to be added on the other side, that we must avoid
giving it a numerical or mechanical character.

(3) This, however, is not one of the greatest difficulties of the
translator; much greater is that which arises from the restriction of the
use of the genders. Men and women in English are masculine and feminine,
and there is a similar distinction of sex in the words denoting animals;
but all things else, whether outward objects or abstract ideas, are
relegated to the class of neuters. Hardly in some flight of poetry do we
ever endue any of them with the characteristics of a sentient being, and