made by the beloved more than the original sentiment, because the lover is
of a nobler and diviner nature.

There is something of a sophistical ring in the speech of Phaedrus, which
recalls the first speech in imitation of Lysias, occurring in the Dialogue
called the Phaedrus. This is still more marked in the speech of Pausanias
which follows; and which is at once hyperlogical in form and also extremely
confused and pedantic. Plato is attacking the logical feebleness of the
sophists and rhetoricians, through their pupils, not forgetting by the way
to satirize the monotonous and unmeaning rhythms which Prodicus and others
were introducing into Attic prose (compare Protag.). Of course, he is
'playing both sides of the game,' as in the Gorgias and Phaedrus; but it is
not necessary in order to understand him that we should discuss the
fairness of his mode of proceeding. The love of Pausanias for Agathon has
already been touched upon in the Protagoras, and is alluded to by
Aristophanes. Hence he is naturally the upholder of male loves, which,
like all the other affections or actions of men, he regards as varying
according to the manner of their performance. Like the sophists and like
Plato himself, though in a different sense, he begins his discussion by an
appeal to mythology, and distinguishes between the elder and younger love.
The value which he attributes to such loves as motives to virtue and
philosophy is at variance with modern and Christian notions, but is in
accordance with Hellenic sentiment. The opinion of Christendom has not
altogether condemned passionate friendships between persons of the same
sex, but has certainly not encouraged them, because though innocent in
themselves in a few temperaments they are liable to degenerate into fearful
evil. Pausanias is very earnest in the defence of such loves; and he
speaks of them as generally approved among Hellenes and disapproved by
barbarians. His speech is 'more words than matter,' and might have been
composed by a pupil of Lysias or of Prodicus, although there is no hint